I have been itching to write this post as this was a super easy, and really fun transforming costume and I have been wanting to SHARE. Now that the show is over so we won’t spoil the surprise, and the costumes have been washed, I was finally able to get together with the girls and…
In our production of “Cinderella”, Ella had two capes. The first was the one that she wore to the Ball, and the second was a “transformation” cape. She wore this for the Pursuit, and then as she stood up after the chase, the cape was sucked into the stone wall and disappeared and she was…
In the Broadway Version of “Cinderella”, Ella has to ditch her traditional Disney-blue gown for white. There really isn’t any way to get around this. When Marie asks about going to the Ball, Ella replies she dreams of a white gown, done up with pearls. There are other references to the color of her dress,…
The first transforming costume that Ella wears is for the “Impossible” scene, where the Fairy Godmother transforms her peasant dress into a white gown for the Ball. This is the finale of a long magical sequence that begins with the transformation of Marie into the Fairy Godmother, the Raccoon and Fox into Coachman and…
I have long commute to work and I often begin composing posts in my head on my drive. It helps me organize my thoughts, and frame the post so the writing goes more quickly. Ella’s costumes are so complex and intertwined that I kept twisting back and forth and getting side-tracked. And, in truth, that…
Dressing Ella is a huge part of “Cinderella”. One of the first decisions that needs to be made, before just about anything else, what to do about the Transforming Costumes. Broadway Cinderella has three major and one minor transformation costume–and three of those belong to Ella. Ella transforms from her peasant outfit to her white…
Gabrielle is the “good” Stepsister in “Cinderella” (Broadway Version). She is much more aware of Ella and her plight, and often will make attempts at kindness to temper Madame’s cruelty. She eventually befriends Ella and despite the social ambitions of her mother, and the oblivious selfishness of her sister Charlotte, chooses true love Jean-Micheal. The…
When costuming a large chorus scene, I like to provide some unifying details if possible. In “Grease” all of the girls who went to the Dance had wrist corsages. I like petticoats for that same reason. In “Cinderella” all of the girls at the Ball had hair pieces. I had a wonderful Freshman who created…
Charlotte’s Banquet dress was one of those costumes that sort of took on a life of its own. When I started I did not have a clear vision, and I certainly didn’t expect it to turn out like it did. I love the dress, but, it was probably a little too much compared to the…
At the end of the Broadway version of Cinderella, the cast all come onstage in various tones of neutrals for the wedding. I absolutely love the effect of that. It was one of my “more” goals from the beginning that we would be able to make that happen. We clearly could not accomplish that for…
costumecrazed 